Are you struggling to get that high-end, polished "film look" out of your RED camera? Does the IPP2 workflow, Log3G10, and WideGamutRGB space feel overwhelming in post-production?
Days
Hours
Minutes
Seconds
Categories: Red Digital Cinema Camera LUTs, Super Bundle
Unlock the True Cinematic Potential of Your RED Footage.
Are you struggling to get that high-end, polished "film look" out of your RED camera? Does the IPP2 workflow, Log3G10, and WideGamutRGB space feel overwhelming in post-production?
Stop guessing with your grading. This isn't just another generic LUT pack. This is a comprehensive professional workflow bundle designed specifically for RED Digital Cinema cameras using the modern IPP2 pipeline (Komodo, V-Raptor, DSMC2).
Based on years of professional color grading experience, this bundle bridges the gap between the raw sensor data on set and the final, stunning image on screen.
_________________
WHAT’S INCLUDED IN THIS DIGITAL BUNDLE:
🎥 All my Premium RED IPP2 Cinematic LUTs (.cube format) Engineered specifically for the RED Log3G10 / RWG input space. These LUTs provide a beautiful, film-emulating baseline with rich skin tones, deep contrasts, and cinematic color separation. They are designed as a starting point to speed up your grading, not just a "one-click fix."
📘 The Advanced IPP2 Color Grading PDF Guide This is the core of the bundle. A detailed, step-by-step manual that walks you through a professional grading workflow.
Understanding the RED IPP2 Pipeline.
Correct setup in DaVinci Resolve (Color Management vs. node-based).
How to properly apply the LUTs within a node tree.
Mastering contrast and saturation before the LUT.
Skin tone recovery and highlights balancing techniques.
💡 Professional Workflow Insights Learn the why behind the grading decisions, allowing you to adapt these techniques to any project, from commercials to narrative films.
_________________
PERFECT FOR:
Filmmakers owning RED Komodo, V-Raptor, or DSMC2 cameras.
Colorists looking to optimize their RED pipeline.
Video Editors who need to deliver high-end grades under tight deadlines.
COMPATIBILITY:
Cameras: All RED cameras utilizing the IPP2 workflow (Log3G10/RedWideGamutRGB).
Software: Optimized for DaVinci Resolve (recommended for best results as shown in product images), but LUTs work in Adobe Premiere Pro, Final Cut Pro X, and others supporting .cube files.
